Showing posts with label Balsa wood sculpture. Show all posts
Showing posts with label Balsa wood sculpture. Show all posts

Saturday, 25 November 2017

Solo Show 'On Fifty Years of Art Making'


On 50 yrs of Art Making.....
Solo show at Skippings Gallery, 133 King Street, Great Yarmouth, Norfolk, UK.
9th - 16th December, 2017  11am - 4pm daily, except Sunday


  Running Figure, 2014, wood, 48 x 28 x 26 cm

Thursday, 14 August 2014

Masked

I am showing a series of watercolour drawings and balsa wood sculptures on the theme of masked figures from 16th August to 3rd September 2014 at Halesworth Gallery. Not to be confused with the Cut, Halesworth Gallery was established in 1966, and has been successfully managed all these years by a committee of local residents and artists.  It is to be found at Steeple End by St. Mary's Church in the centre of town.  The gallery is on the first floor of an ancient building and consists of three sizeable rooms, so that each exhibition features three artists with one room each.  The other artists exhibiting in this show are Michaela D'Agati, a young constructivist, and the mysterious Gilbert Winston.

Thursday, 22 November 2012

Norwich 20 Group Show, London

Crow, balsa wood, 2012

I am exhibition some balsa wood and some card and wire sculptures in the Norwich 20 Group show at the Espacio Gallery, 159 Bethnal Green Road, London E2 7DG.

The exhibition runs from 5th - 11th December 2012, 13.00-19.00 hrs daily.

Other artists exhibiting are:  Martin Battye, Katarzyna Coleman, Oliver Creed, David Jones, Martin Laurence, Geoffrey Lefever, Mary Mellor, John Midgley, Ros Newman and John Rance.  For more info about the Norwich 20 Group, go to www.norwich20group.co.uk.

The Espacio Gallery is a new collective enterprise and the inspiration of gallery director Carlos de Lins.  It will be interesting to track how this initiative develops - the capital investment on the lease is a considerable liability for an artist-run gallery to meet and it means building up a large number of members. The difficulty will be, as I see it, in creating a strong enough identity whilst enabling a wide variety of artists to share shows. But if a high quality can be maintained, then Espacio might perhaps find an audience amongst those looking for a range of affordable work by artists who don't generally have the opportunity to exhibit in London.